Yes, 300 St Claire were another of those noisy, intense and hard-as-a-cheap-pub-steak bands that were around in a crowded Sydney backyard at the cusp of the 2000s and never made a substantial mark anywhere else. They self-released an EP, gigged around and more or less fell off the radar before the decade was half-done.
My own memories include taking away tinnitus from a support they played to Asteroid B612 at the Iron Duke in Sydney one Friday night. By the time Johnny Casino and Co came on, the damage had been done, and every note The Big Fella played fell on ringing ears.
As is the way these days, 300 St Claire has reformed - to have fun and sink a few beers, the members will tell you - so now is a good time for their long, lost EP to resurface on Conquest of Noise, complete with extras. It’s every bit as bludgeoning as you’d expect.
Jasmine Hirst photo.
Lydia Lunch doesn’t particularly care whether people are offended by her art.
From her beginnings in New York no wave outfit, Teenage Jesus and the Jerks, to her spoken-word performances, to her collaborations with Rowland S Howard in Shotgun Wedding, Swans’ Michael Gira, Sonic Youth’s Kim Gordon and Thurston Moore, Bob Quine (Richard and the Hell and the Voidoids), right through to her more recent profane expositions on the United States under Donald Trump, Lunch’s self-defined brief has been deliberately and avowedly confrontationalist.
In her own words, Lunch is a conceptualist, exploring concepts that highlight the exploitation and marginalisation of the individual in contemporary society, the typically patriarchal and oppressive discourse wielded by institutions of power.
If you can’t stand the heat in Lunch’s artistic kitchen, go find yourself a fast-food media joint and starve on the processed, intellectually bankrupt crud that masquerades as entertainment.
In May 2018 Lunch returns to Australia with her Retrovirus concept, trawling across her 40-year career with the aid of Bob Bert (Sonic Youth, Chrome Cranks), Weasel Walter (The Flying Luttenbachers) and Algis Kizys (Swans). I spoke to Lydia Lunch in her sometime home town of New York City.
The debut album from ex-Iggy and the Stooges guitarist James Williamson and his new band, The Pink Hearts, comes out on June 22 and we’ll have a review live in about a week.
“Behind the Shade” by James Williamson and The Pink Hearts will be on Williamson’s own Leopard Lady Records and is a diverse but powerful effort, with Frank Meyer (Streetwalkin’ Cheetahs) and Petra Haden (That Dog) sharing lead vocals.
Haden was one of the feature vocalists on Williamson’s album of previously unreleased studio versions of Stooges songs, “Re-Licked”. She also contributed violin to “The Departed” on the final Stooges album. “Ready To Die”.
On “Behind The Shade”, Williamson supplies all of the riffs, guitar parts and most of the bass. The album also includes a host of accompanists.
They include Michael Urbano (Smash Mouth, Bourgeois Tagg, Todd Rundgren, John Hiatt) on percussion, Gregg Foreman, Hervé Salters, Paul Roessler, Nick Hart, and Audrey Vera on keyboards and piano, Jason Carmer on bass, Don Rooke on lap steel, Geoff Yeaton and Tony Peebles on saxophone and Steffen Kuehn on trumpet.
Click Read More for a video teaser and the tracklist.