The I-94 Bar is definitely the place to see a reminder that '60s icon Arlo Guthrie a) still exists, and b) coming to Australia. Why? Who is Arlo Guthrie? Is he important?
I think so, but then I was a slightly aware teenager (just) from the middle of the '70s, and I remember watching a late-night movie called "Alice's Restaurant" on TV. So hilarious, smart, fun, pithy that I realised that although a hell of a lot of hippies were total knobs, some had good points.
It's a long time between Penny Ikinger records but the results are usually worth the wait. "Tokyo" follows "Penelope" (2010) and "Electra" (2003) and is as evocative as ever but with a slightly rockier disposition.
"Tokyo" was recorded with a batch of top-notch Japanese psychedelic musicians, with heavy input from Radio Birdman's Deniz Tek. The latter's influence is evident - not just in some flammable splashes of lead guitar but also in the odd lyric. That Four Winds Bar sure has done some mileage since being name-dropped by Blue Oyster Cult all those years ago...
Even so, "Tokyo" is very much a Penny Ikinger record. Gone are the days where she needed to be referenced as "a past member of Wet Taxis" or as "Nico defrosted". As clever as that last marketing line was, Nico ultimately shut out the world. Penny embraces its musical possibilities and has her own distinctive voice.
"Giant Lizards on High" b/w "Fresh Meat for Martyrs" - Blurt! (Sartorial)
"Insomnia" - Mark Steiner and his Problems b/w "Six Feet Under" - Mark Steiner and his Problems with Line Saus (Rabben Records)
"Urge" b/w "Milk and Metho"/"Crash"/"318" - The Nuclear Family (Urge Records/VS)
"Knife Edge" - The NJE b/w "Caesar" - Dear Thief (Sartorial)
Today I'm listening to a few singles (instead of cleaning the house for an inspection). Sorry, that's the small vinyls that play at 45rpm.
OK - "records" not “vinyls”.
Now, the beauty of singles is that they carry a stand-alone song, in a format which forces you to pay attention to that one song. For a low-level label or a low-level band - no matter what the rep, you're only as big as your last gig - the single is a signpost, a statement, a declaration of intent.